With rumors of a ‘True Is 2′ spreading across these the following Internets (thanks to a very talkative Tom Arnold), in conjunction with the fact that Arnold Schwarzenegger is currently on the hunt with regard to his first movie following his time in office since governor of California, you can see exactly how we’d certainly be interested in any news story about Schwarzenegger traveling into the jungles of Brazil along with his old friend (and overseer) James Cameron.

Though Cameron fell from the Twitter bandwagon soon after ‘Sanctum’ strike theaters, Arnold Schwarzenegger is a little tweet-a-holic. The former motion star and politician has been tweeting upward his Brazilian adventure, posting a video of their helicopter landing on the Xingu River (watch this after the jump).

So what is actually really happening here? Will be Cameron researching ‘Avatar 2′ and ’3,’ along with taking Schwarzenegger along for the journey just because? Is this simply a non profit visit for the duo, without any impact on any future project for either man? Are they trying to find locations for ‘True Lies Only two?’ Or is it all for your Amazon tribe doc Cameron was reportedly working on back in Sept (the likely answer)?

Naturally we can speculate all day long, however we wouldn’t be surprised when Cameron invites Ahnuld to be part of the up coming two ‘Avatar’ movies. That’d manifest as a grand way to return to Artist, no?

According to the L.Any. Times’ Hero Complex blog, Jodie Instill is planning to follow up ‘The Beaver’ with the untitled sci-fi thriller that currently boasts no identifiable writer or plot of land. So yes, this is obscure news at best, but there’s one simple reason this news excites us (well, at least myself): the star of ‘Contact’ definitely seems to be cycling back towards sci-fi. From Hero Complex:

There exists a family element to it, but it’s much more a genre film, Foster said in an interview after The Beaver premiere in Austin tx, Texas. I’d like to do that ’cause what a world I live in as an actor but I’ve never truly gone to as a director. I’d personally still have to have all the other things in a film. It can’t try to be, ‘There’s a bad guy, there’s a huge.’ It has to have all another stuff too.

Even if you never love Robert Zemeckis’s film as much as some of us around these components do (OK, me), there’s an air of confidence Instill brings to all her roles (be they in front of or behind your camera) and it’s that special reserve how the sci-fi genre has been lacking recently. Most sci-fi movies nowadays are usually filled with whatever chaos will deliver the most visual value for your money, but if there’s one thing that is clear about Foster’s career, it’s that she doesn’t go in for runaway success chaos. The sci-fi (and illusion) projects she’s been attached to during the past have all had a very grounded approach to them, an approach which could not lead to box business office gold but almost always means a noteworthy entry to the particular genre (even her ‘Tales From the Darkside’ episode is refreshing).

So, yeah, we may not know anything about this untitled sci-fi thriller at this point, but her involvement alone ought to be enough to intrigue any kind of die-hard sci-fi fans. Of course, the venture may never even get together, but if it doesn’t, at least Create fans can relax knowing that the lady hasn’t left the genre entirely: She’ll soon be viewed in ‘District 9′ director Neill Blomkamp’s next movie, ‘Elysium.’

20th Century Fox has gone, well, ape, over ‘Rise of the Apes’: Facilities execs were so pleased with the footage they’ve witnessed so far that they’ve moved up the release date via Thanksgiving to Aug. Five, taking advantage of the last month from the summer season. The competition that saturday and sunday will be stiff, though, using Universal’s comedy ‘The Change-Up,’ Summit’s sci-fi alien breach film ‘The Darkest Hour’ and Sony’s ‘The Smurfs’ almost all opening up. James Franco, Freida Pinto and Andy Serkis star in the ape beginnings story set in modern-day San Francisco.

Alan Rickman and Tom Courtenay have got joined the cast with the remake of 1966′s ‘Gambit,’ any caper film about a pair of thieves who team up to disadvantage the richest man inside England. The film, focused by Michael Hoffman (‘The Last Station’) and scripted by Joel and Ethan Coen, superstars Cameron Diaz and Colin Firth. The original starred Michael Caine as well as Shirley MacLaine.

Add another rumor to all the craziness surrounding the actual casting for the Farrelly brothers’ ‘The Three Stooges’: Your Hollywood Reporter says in which actor Will Sasso’s name offers resurfaced as a likely front-runner to play Moe, Larry or Curly in the modern day take on the zany group of 3. THR reports that Sasso’s possible sending your line … has been rumored for weeks, with many bloggers suggesting he’s perfect to play the role of Curly. Well, nyuk, nyuk, nyuk; he does appear a little like Curly.

Chris Ludacris Connections has joined the solid of New Line’s ensemble romantic funny ‘New Year’s Eve’, putting him inside good company: Jessica Biel, Abigail Breslin, Ice Cube, Robert De Niro, Josh Duhamel, Zac Efron, Ashton Kutcher, Seth Meyers, Jum Michele, Sarah Jessica Parker and Michelle Pfeiffer, Hilary Swank and Sofia Vergara are already in the film. Your Garry Marshall-directed comedy, which opens 12. 9, is centered on a gaggle of couples and would-be lovers throughout the holiday, and is the director’s follow-up for you to ‘Valentine’s Day.’

Dwayne Johnson proceeds his action ways which has a starring role in ‘Snitch,A about a working class guy who risks everything in order to save his falsely imprisoned child. The thriller will be directed by Ric Roman Waugh.

The prayers for a ‘Face/Off’ sequel stay unanswered (maybe the harpoon had not been that lethal?), but would like for at least Nicolas Cage and John Travolta to go head to head again can always come true. Twice even. According to Vulture, the actors will possibly first co-star in ‘Shrapnel,’ the cat-and-mouse action thriller about a Bosnian soldier seeking to get even on the American whom wounded him. Hopefully the particular wounded him part signifies the guy also needed his face … off and also stole it, switching it with his own. Doubtful, I know.

The script for ‘Shrapnel’ is as simple as Evan Daugherty, who also penned your upcoming ‘Snow White and the Huntsman’ (that’s the Kristen Stewart one), and ended up being featured on the 2008 Dark-colored List of best unproduced screenplays prior to landing on John McTiernan’s directorial standing last fall. McTiernan has since been sentenced to jail on a perjury charge (currently being appealed), so maybe John Woo can step up? Doubtful, I know. (Woo is better off in China, producing good films again.) An individual needs to sign on soon, however, as the film is set to begin shooting in June.

The second thriller looking at Cage and Travolta for you to star is titled ‘Sea Test,’ from Oscar-nominated filmmaker Raymond De Felitta (article writer and director of ‘City Island’). Based on the out-of-print 1980 novel by De Felitta’s personal father, Frank De Felitta, the film will presumably talk about a cheating couple who take a new cruise that turns out a lot more wicked than romantic. From your back of the paperback: It can be as though they have embarked with a passage through fire, a new cruise through hell. With luck , Cage and Travolta play the couple, with the Tracey character rewritten as a gentleman. Doubtful, I know. But they had such great chemistry throughout ‘Face/Off,’ and not just as nemeses. There was something more there.

‘Sea Trial’ apparently has a ways to go, economically at least, but we can maintain our fingers crossed that the actors will be reuniting quickly, caressing each other’s mugs as a symbol of affection and practicing their respective impersonation of the other.

Paramount strolled into New York City previously tonight to show off a 2011 slate packed with probable blockbusters and possible record-setters, like ‘Thor,’ ‘Captain America: The First Avenger,’ ‘Kung Fu Panda Only two,’ ‘Transformers: Dark of the Moon’ ‘Puss within Boots,’ ‘Paranormal Activity Three,’ ‘Tintin,’ ‘Footloose’ and ‘Mission Difficult: Ghost Protocol.’ Though the film that owned the evening was J.J. Abrams’ ‘Super 8-10,’ which brought by using it approximately 22 minutes regarding footage broken up into two scenes shown out of collection.

The first was an extended model of the train accident demonstrated in the trailer, with the some other being an extended version from the scene in the trailer the location where the store clerk is yanked again through the aisle by some … thing. Paramount chief Brad Grey was on hand to spread out up the evening with a nice tribute to Elizabeth Taylor, then a fun glance through Paramount’s 100-year record. The clip montage ended using a look at 2011, including the sneak peek at ‘Footloose’ (think ‘Dirty Dancing’ meets that epic high school get together you weren’t invited for you to) and ‘Mission Impossible: Ghost Protocol’ (your scenes they shot in addition to the world’s largest building inside Dubai will probably go down as some of the coolest stunts we see all seasons, hands down).

No problem, we’re not spoiling anything below. Trust we want to go into this kind of film clean, too, and you may tell Abrams wants the same thing. During the introduction of the footage, they half-jokingly said that he’d rather not screen anything if it ended up up to him. He hopes to talk about this film — so you get a sense that’s because it really is such a personal project for your ex — but he’s not so warm on talking about it ahead of he’s done piecing it with each other, which is understandable.

The footage they did screen loaded a strong punch, though, adeptly blending heart, humor, thrills, chills and one holy-cow train-wreck sequence. The kids are generally instantly likable and make to get a fun, familiar ensemble, and, yes, the expected zoom lens flares are there too). Positive, there’s plenty more that produces a feature-length movie, but if the additional 70-or-so minutes play like that, we have been sold big time.

After the testing, we cornered Abrams briefly and inquired the one question that’s been upon our mind ever since that will last trailer premiered: Primarily, will they decide to show the actual film’s monster before it hits theaters? We saw the ‘Cloverfield’ creature prior to that film’s release, therefore … is this thing coming out to learn sooner rather than later?

We probably won’t demonstrate it, he told all of us. It’s more fun not viewing it beforehand. What that it’s, we don’t know — and Abrams enjoyed coy while answering as to not provide too much of its identity apart. When asked whether there’d be a toyline, he said he wasn’t fond of toylines because you see the character to get before the movie and it’s complicated to people.

Hopefully he’s right, and they won’t show us all anything too spoilery before the film’s Summer 10th release. We know there’s something menacing this town is right after, and not seeing what that is before the film opens could make for one of the most exciting (and also anticipated) moviegoing experiences of the year.

Even as we inch closer to a world right out of a sci-fi movie, here is a story that proves exactly why that would be awesome.

Reddit member captaincripple lost his leg a little over a year ago in a motorbike crash; not letting the injury get him down, they asked his fellow Reddit people for help in designing his new prosthetic leg. Proving their guts, captaincripple said nothing is away from bounds, and was inundated with a variety of suggestions — pirate peg leg, pogo stick, C-3PO — but 1 idea stood taller compared to the rest: the Terminator.

And now, he’s his Terminator leg.

The artwork was designed by Stuart Vimpani of Brisbane, Australia.

captaincripple went back to Reddit to thank everyone for the input and answer any questions. He currently plans to put it to good make use of, stating: Not going to rest, not having a leg is the greatest conversation starter with the females, with my favourite line becoming ‘I’ll give you 3 guesses as to why I have a limp, if you get it wrong you can buy me a drink and also let me flirt with you for a while.’

Ready to see Ryan Phillippe seize a camera and key in post-Apartheid South Africa?

After premiering at TIFF last year, documentarian Steven Silver’s first theatrical feature — ‘The Bang Hammer Club’ — is gearing up for release on April 22, now Apple has released any trailer (watch it following your jump). Starring Phillippe, Malin Akerman and Taylor Kitsch, your film looks into a group of real-life, hard-core photojournalists — Kevin Carter, Greg Marinovich, Ken Oosterbroek and Joao Silva — who captured your violence erupting in South Africa involving 1990 and 1994.

Even if you’re not really acquainted with them by name, you have likely seen their pictures. Marinovich (Phillippe) won a Pulitzer for a group of photos during that period, such as one of a man on fire, while Carter won a Pulitzer to the image of the starving Sudanese woman being stalked by a vulture.

Early testimonials suggest that the film won’t completely live up to its powerful subjects (if you don’t mind real-life spoilers, a Google search will let you in about how seriously their work impacted their lives). However, if one navigates around the seemingly fluffy as well as pointless romance angle played up in the truck, it looks to be a decent venture into what photographers undergo to bring us polarizing imagery.

How you think of Bette davis, who died Wednesday of heart failure at Seventy nine, depends largely on your grow older. Younger fans might remember her as the tabloid creature in whose fluctuating health was breathlessly chronicled over the past three decades of her life. Other folks may think of the gossip-rag queen whom made headlines for stealing Eddie Fisher from America’s sweetheart Daphne Reynolds, her eight marriages, and also her tempestuous romance with (and also double marriage to) Richard Burton.

If either of those information fits you, though, what a shame. Because for those who came of age in the ’50s and ’60s, Bette davis was one of Hollywood’s most lustrous talents, one whose beauty dazzled moviegoers and who experienced the dramatic skills to match. Wanna talk about clout? Your ex diva-like behavior on the set of 1963′s ‘Cleopatra’ postponed that epic production and also nearly bankrupted 20th Century Fox.

However frankly, we wouldn’t possess cared about any of that had the girl not had the beauty along with the talent to begin with. So, ultimately it’s what she quit on the screen that matters. Here are 12 of Elizabeth Taylor’s best films — 10 reasons that clinch her place as a show company immortal.

Watch Elizabeth Taylor films on Netflix Instant at this time.

10. ‘Father of the Bride’ (1950)

At the tender age of 17, Taylor had currently grown into a world-class beauty. Though it was nominally Spencer Tracy’s movie, Liz’s role involving Kay Banks provided the switch as daddy’s little girl, whose engagement sets the whole film in motion and breaks his center in the process.

9. ‘Little Women’ (1949)

In this emotional version of Louisa May Alcott’s ageless tale (a remake of the 1933 version starring Katharine Hepburn and Joan Bennett), Taylor unquestionably exuberant optimist Amy, one of four sisters approaching womanhood at different rates while their father will be off fighting the Municipal War. Another significant get on Liz’s road to greatness.

8. ‘Raintree County’ (’57)

As Southern belle Susanna Drake, Taylor comes away better than anything else in this more or less standard Old South unbelievable. Playing a loud female with traces of innate madness did, however, earn her her first Oscar jerk for Best Actress, even though the lady lost out to Joanne Woodward.

7. ‘National Velvet’ (1944)

This specific wholesome charmer provided Taylor with her first major breakthrough. Only 12 years old at the time, Taylor played Velvet Dark brown, a horse-crazy girl who locomotives a wild stallion to run in England’s Awesome National, and exhibited the precocious gift for crisis and a visceral sense of emotion. This promised great things, and also fans didn’t have to wait really miss that promise to be fulfilled.

6. ‘The Taming of the Shrew’ (1967)

This was certainly one of 11 films she constructed with Richard Burton, and certainly the most artsy (that Shakespeare fellow turned out to be an excellent screenwriter). Taylor was reportedly scared to tackle the Bard about film, especially opposite the woman’s Shakespearean-trained spouse. She worried around nothing — Taylor acquits herself admirably along with her smoldering intensity as Katharina. Whether in or off screen, Liz as well as Dick never failed to create sparks together.

5. ‘Suddenly, Last Summer’ (’57)

You wouldn’t expect anything light when Tennessee Williams is producing the story and Gore Vidal is doing the screen adaptation. And would certainly be right. Taylor stars as Catherine Holly, a young girl who witnesses the actual death of her cousin Sebastian on vacation and goes to bits. Enter Katharine Hepburn as her imperious cousin, who seeks to have Catherine lobotomized to cover up the truth about Sebastian being (shhhhh, it’s 1959) homosexual. Another Oscar nod for Liz — as well as for Kate, too. (Awkward!)

4. ‘A Devote the Sun’ (1951)

Boy, for a decade that’s become synonymous with This country’s happy days, the ’50s positive turned out some dark videos, none more so than this specific tragic tale of moral bankruptcy and unfettered lust. Taylor’s lifelong pal Montgomery Clift plays George Eastman, who falls with regard to Taylor’s glamorous society girl Angela Vickers. When you are a louse at heart, he manages to impregnate a good girl (Shelley Winters), and then stand by idly as he watches her drown. As the irresistible Angela, Taylor could be the elusive dream girl who makes him abandon almost all he knows to be good and true. A malignant story, but beautifully acted nevertheless.

3. ‘Butterfield 8′ (1960)

Taylor hated this kind of melodramatic film (privately calling it Butterball Four), and only made it happen to escape her MGM contract therefore she could jump for you to 20th Century Fox for ‘Cleopatra.’ But her near-fatal bout together with pneumonia and a well-publicized tracheotomy generated enough empathy to earn her her first Best Actress Oscar. Taylor plays Gloria Wandrous, a disillusioned prostitute who’s involved with a married guy and trying to outrun the ghouls of an unhappy childhood. Taylor parlayed her success into a then eye-popping $1,000,000 for ‘Cleopatra.’ However climbing to the summit regarding Hollywood turned out to be a Pyrrhic win — it was on that movie she met Burton, after which the girl personal life began to make more ink than her dramatic gifts.

2. ‘Cat on the Hot Tin Roof’ (1958)

Elizabeth Taylor as well as Paul Newman: hard to imagine a better-looking display screen pairing, isn’t it? But that’s merely a distraction; this riveting movie of Tennessee Williams’ classic enjoy shows Taylor in her full remarkable glory. As Maggie Pollitt, the discouraged wife of Newman’s alcoholic ex-football celebrity, she’s alternately flirtatious, furious, and desperate, showing all at once why her acting skills were as beguiling as your ex looks.

1. ‘Who’s Afraid of Va Woolf?’ (1966)

The gloves are removed in Mike Nichols’ harrowing motion picture version of Edward Albee’s perform about a drunken university professor and the equally drunken wife as they entertain another young couple for a deeply confrontational social engagement. Taylor and Burton play George and Martha, a boozy, disappointed couple trapped in a codependency that seems to devour both them and anyone else who’s unlucky enough to wander within their orbit. Need we say it? Worst date movie ever.

Ever make fan videos involving yourself lip-synching some popular melodies? If you did, you probably in no way took it to this amount. Pixar employee Nick Pitera has been saving himself singing pop tunes and Disney songs for a long time on YouTube. Now he’s collected clips from a number of well-liked Disney songs to create war and peace video medley — ‘One Man Disney Movie.’ He filmed six to eight versions of himself performing through the medley as six important people — the heroine, the good guy, the sidekick, the villain and two people from the chorus.

Then, taking a cue coming from ‘The Brady Bunch,’ he split-screened them all together into one movie, where each segment not only plays their part, but occasionally interacts with the rest. What’s truly awesome is that this isn’t the result of a variety of quick-cut editing. Each frame takes on out as one long part, so there’s a whole lot involving planning that went directly into this one piece of Mouse Property fun.

Your long-gestating live-action adaptation of ‘Akira,’ Khasatsuhiro Otomo’s six-volume artwork novel about bikers as well as psionic kids involved in a solution military project in a innovative, post-apocalyptic Neo-Tokyo, is now picking up steam with regard to Warner Bros. and Legendary Pictures.

As outlined by Deadline, a rewrite through Steve Kloves was sent to movie director Albert Hughes, and the script has become sent out to two sets of actors for the two main heroes: Tetsuo Shima (to Robert Pattinson, Andrew Garfield and also James McAvoy) and Shôtarô Kaneda (to Garrett Hedlund, Eileen Fassbender, Chris Pine, Justin Timberlake and Joaquin Phoenix).

The film — which has the story transposed from Japan to an alternative Manhattan — is scheduled for an August start. The business acquired the rights some two years ago in a seven-figure offer.

‘Akira’ was first adapted for the monitor in 1988 as an animated attribute by Otomo, who also directed.